Reaching for the Moon

Suzanne Davey, Reaching for the Moon , curtains, thread, metal,  makeup, paint,  280 x 160 x 110cm
Suzanne Davey, Reaching for the Moon , curtains, thread, metal,  makeup, paint,  280 x 160 x 110cm
 
Gazing through a domestic lens our understanding of the world beyond is both revealed and concealed through ebbs and flows of knowledge. Reaching for the Moon reflects upon the complexities of our interrelationships with spaces and how cultural and social perspectives transform our experience of place.  
 
Vintage curtains and their metaphorical associations with the discarded, the everyday, the body and gender are utilised to investigate the phenomena of viewpoint. Constructive and destructive making traditions examine tensions between the visible and the felt, interior and exterior space, social realities and romantic ideals that influence our perception and knowledge of our worlds.  
 
The moon is often cast as a cultural mirror upon which we project notions of hope, aspirational dreams, escape, utopia, spirituality, quests for discovery or a desire for universal conquest. It’s a talisman that connects us all but we also experience it differently, depending on our cultural and social veiwpoint. Gazing upwards at the sky our concept of the moon never wanders too far from the worlds we know best.
 
 
 
 
 

Exhale

Suzanne Davey, Exhale, textile, resin, thread, steel, 140cm x 60cm x60cm

Exhale featured in the SEED STITCH Contemporary Textile award, curated by Soraya Abidin.  

Exhale aims to investigate moments in-between: between our conscious and unconscious states and the interior and exterior spaces we exist in as we navigate the the whirl of known and unknown factors in our contemporary world.

Suzanne Davey, Exhale, textile, resin, thread, steel, 140cm x 60cm x60cm
Suzanne Davey being presented the inaugural Betty Stirton OAM Seed Stitch Textile Award prize
Suzanne Davey, Exhale, detail, textile, resin, thread