Gathering Shadows is a site responsive installationthatresponds to the changing cultural history of the Coal Loader, Waverton, from its indigenous heritage, land use on the site, its role in facilitating the coal mining industry through to its current role as a centre for sustainability on the harbour foreshore.
The workconsiders our inter-dependence with site histories (indigenous, animal, geological) and the potential future consequences of our collective actions and inaction towards environmental ecologies.
Notions of temporal flows, site ruptures and dis-ruptures, surface wounds and healing are investigated.
The work explores clay as a media shaped by human touch and the ceramic traditions of containment. Unable to hold back their contents shells, small animal bones, charcoal and bricks flow and spill in the shadows of the ceramic forms.
Installation detail Gathering Shadows, ceramic, bricks, small animal bones, wood, charcoal, shells, metal,
70cm x 300cm x 300cm
Ceramic form detail, Gathering Shadows, ceramic, bricks, small animal bones. wood, charcoal, shells, metal, 65cm x 45cm x 45cm
Suzanne Davey, The Gravity of Moments, fabric, steel, resin, 350cm x 350cm x 350cm
The Gravity of Moments is a large suspended installation that flutters in the breeze. The work is featured in Sculpture in the Glen, along with 50 local, national and international artists work and includes small indoor and large outdoor sculptures in a variety of media. The exhibition is curated by Penny Philpott and celebrates Glen Street Theatre’s 30th anniversary. It opens 5 September and continues untill 25 October 2015. The ethereal sculpture responds to its theatrical site and bushland gardens.
Suzanne Davey The Unfurling 10m x 3m x 2m, recycled clothing, resin, steel
The Unfurling is a large scale site responsive installation of suspended body ‘voids’ created from recyled clothing and resin, harnessing wind and light. The work was exhibited as part of the North Sydney Art Prize 2015 at the Coal Loader Waverton. The site is located on the shores of Sydney harbour and examines the coast as a place of sanctuary.
The Unfurling is a response to the debate surrounding vulnerable populations arriving on Australian shores and beyond, and the human costs. Individual rights and national interests are given precedence over collective human rights. Tragedy grips people dreaming of sanctuary but who are subjects to forces beyond their control through war, politics and discrimination.
Clothing is utilised as a social and cultural signifier of identity, memory and psychological ties with others. The clothes become traces of the bodies that once occupied them, ‘voids’, and on mass symbolise the collective struggles of vulnerable people.
Wind choreographs movement in the collective and subjects them to elemental forces beyond their control. The sculptures are translucent and reflect natural light as they move.
The work was inpired by the poems of Mena Johnson, a poet that I collaborated with for the On Islands project at Eramboo Artist Environment.
The Unfurling installation detail On Islands project
The Unfurling installation view On Islands project
The Unfurling installation video showing movement, On Islands project
The Unfurling installation details On Islands project
The Unfurling bushand installation view On Islands project
Suzanne Davey, Groundswell, recycled clothing, resin, paint, steel, 350cm x 800cm x 400cm
Groundswellis an energetic public art installation created for the ENLIVEN festival, Mona Vale. The work was commissioned by Pittwater Council and was made in partnership with the charity Lifeline.
Made from donated recycled clothing Groundswellis a suspended installation made from pants of all shapes and sizes. Lots of legs appear to be surging forward, walking and running, and hopefully creating a ripple in the local community.
The work draws inspiration from the site. Davey states, “ As soon as I saw the Lifeline Centre in Bungan Laneway and its recycled clothing I knew exactly what I wanted to do. To me Lifeline is all about reaching out to life and connecting with others for support. Clothing is all about people and living.”
Special thanks to Lifeline for their generous donation of clothing.
Groundswell installation , shadow detail
Family enjoying the Groundswell installation at the ENLIVEN festival
Suzanne Davey, Sweet Surrender, ceramic, metal, 220 cm x 220cm x 30cm
A protective response to the fragility of the delicate ecosystem of Stony Range; captured, completely surrounded and held to ransom by the encroaching urban environment. A site specific work installed in Stony Range Regional Botanical Garden 2014.
Overhead installation view, Sweet Surrender, ceramic, metal, 220 cm x 220cm x 30cm
Installation detail, Sweet Surrender, ceramic, metal, 220 cm x 220cm x 30cm
Ceramic detail, Sweet Surrender, ceramic, metal
Installation view, Sweet Surrender, ceramic, metal, 220 cm x 220cm x 30cm